In many ways, Apple is the antithesis of the typical multinational firm. Where
many corporations sacrifice craftsmanship and customer service on the altar of
low price, Apple does the opposite. For example, according to the market
research firm NPD, the average Apple Macintosh computer is double the price of
the equivalent Windows-based PC. At the same time, Forrester Research reports
that Apple far outpaces its rivals in customer satisfaction, likely because (as
any Mac convert knows) Apple products and support are the most reliable and
intuitive in the industry.
Friday, January 28, 2011
Apple quality finally winning out?
From Salon:
Monday, January 24, 2011

Composer Matthew Ricketts took some words that I wrote, jumbled and rearranged them, interspersed them with stuff from Tender Buttons, and set it all to music. I "met" Matthew on Facebook a couple years ago, though I still haven't met him in person. I have no idea what the piece will sound like, but I think it will be entertaining. You should probably come and listen to it, if you are able. (I swiped that graphic from here.)
Sunday, January 23, 2011
Saturday, January 22, 2011
Thursday, January 20, 2011
This Recording posted this classic irreverent interview between John Ashbery and Kenneth Koch. I had read some quotes from it before, but I had never read the whole thing until today. An excerpt:
JA: I think we should clear up the question as to whether the ambiguity in our work is the result of modern life's having made us so ashamed of our experiences that we cannot write about them in any other way, or whether we feel that if we turn quickly around we'll discover something that wouldn't have happened otherwise.
KK: The first possibility you mention I don't understand – how can "modern life" make us ashamed? – but the second is very appealing. I don't feel, by the way, that what I am after in my work is ambiguity.
JA: What do you feel that you are after?
KK: Guess.
JA: I give up.
KK: Do you mean to say that you have been reading my poems all these years thinking ah there he's succeeded in getting that ambiguity he's after, and oh there he hasn't? I mean you don't really think that a main aim in my poetry is to be ambiguous, do you?
JA: Well, it would help if you would consent to give a straight answer to my last question.
KK: I think the difficulty of my doing so has considerable bearing on the topic under discussion.
JA: Since you refuse to reply unambiguously, I must conclude that ambiguity is the central thing in our work.
KK: I have always liked your poetry, but your command of logic leaves me speechless with admiration.
JA: Perhaps this has some bearing on the topic of our discussion.
KK: I don't see how.
JA: I assume you were being ironic when you said my command of logic left you speechless with admiration. Therefore poetry is not logical or is not necessarily so.
KK: What you say is very unclear, but I suppose you mean that since I find one of your remarks illogical and since I like your poems, that therefore I must like poems which are illogical. But I don't find your poems either logical or illogical. If you want this interview to have the logic of a poem and not ordinary logic we will have to start over again.
JA: I think we should clear up the question as to whether the ambiguity in our work is the result of modern life's having made us so ashamed of our experiences that we cannot write about them in any other way, or whether we feel that if we turn quickly around we'll discover something that wouldn't have happened otherwise.
KK: The first possibility you mention I don't understand – how can "modern life" make us ashamed? – but the second is very appealing. I don't feel, by the way, that what I am after in my work is ambiguity.
JA: What do you feel that you are after?
KK: Guess.
JA: I give up.
KK: Do you mean to say that you have been reading my poems all these years thinking ah there he's succeeded in getting that ambiguity he's after, and oh there he hasn't? I mean you don't really think that a main aim in my poetry is to be ambiguous, do you?
JA: Well, it would help if you would consent to give a straight answer to my last question.
KK: I think the difficulty of my doing so has considerable bearing on the topic under discussion.
JA: Since you refuse to reply unambiguously, I must conclude that ambiguity is the central thing in our work.
KK: I have always liked your poetry, but your command of logic leaves me speechless with admiration.
JA: Perhaps this has some bearing on the topic of our discussion.
KK: I don't see how.
JA: I assume you were being ironic when you said my command of logic left you speechless with admiration. Therefore poetry is not logical or is not necessarily so.
KK: What you say is very unclear, but I suppose you mean that since I find one of your remarks illogical and since I like your poems, that therefore I must like poems which are illogical. But I don't find your poems either logical or illogical. If you want this interview to have the logic of a poem and not ordinary logic we will have to start over again.
Tuesday, January 18, 2011
Friday, January 14, 2011
Thursday, January 13, 2011
Wednesday, January 12, 2011
NAKED SPELLER
At homecoming and abroad,
calculation drips from
photocopier to poem. I've
never seen a more
invested source detector.
Can you happen over me
somehow in a long
lost light-year? Here again the
sickening propagandist I wouldn't
dream of discarding—
well, linear timing's a
blabbermouth like that, a fee
no one can afford. It's terrific,
I think, a real assistant to
this hazy, careworn clincher.
The resulting remnant, at least,
is no less shapeless.
At homecoming and abroad,
calculation drips from
photocopier to poem. I've
never seen a more
invested source detector.
Can you happen over me
somehow in a long
lost light-year? Here again the
sickening propagandist I wouldn't
dream of discarding—
well, linear timing's a
blabbermouth like that, a fee
no one can afford. It's terrific,
I think, a real assistant to
this hazy, careworn clincher.
The resulting remnant, at least,
is no less shapeless.
Tuesday, January 11, 2011
Monday, January 10, 2011
People are still writing these articles?
Do serious adult literary/television/movie critics really still believe that characters should be paragons of virtue, or "role models"? Just because characters have flaws, that doesn't mean we're supposed to approve. We're not really supposed to "disapprove" either, exactly, because art isn't about approving and disapproving. It's about taking a look at people and their problems, looking for some kind of truth about human behavior. Sometimes truth comes in the form of ugliness. Does that mean we should pretend the ugliness doesn't exist? What's next, is someone going to remove the word "nigger" from Huckleberry Finn? Oh wait.
Californication really has a lot of heart, in addition to being funny. And it's full of smart women characters! It's a shame to see a reviewer apparently unable to see things beyond a superficial level.
Sunday, January 9, 2011
Friday, January 7, 2011
Two questions
************
When you make a blog post, do you manually reset the time just before you hit "publish post" in order to accurately reflect the time at the moment you're hitting the button? (I do.)
Thursday, January 6, 2011
Why I am not a vegetarian
Wednesday, January 5, 2011
I don't think I'm smart enough to be a writer.
If someone has a way for me to go to grad school that doesn't involve quitting my job or leaving New York, I'm all ears.
I have trouble letting go. Maybe I was foolish to think I could change overnight. I just need to keep the backsliding to a minimum. "Two steps forward, one step back," as they say.
Every time I try to say the right things I end up saying the wrong things. Why does this keep happening?
A year and a half
since I wrote this post, and not a thing has changed, except now I've been at my job for four years instead of two and a half. I still do not know what to do. I appreciate advice, but I just don't know how to follow it.
Tuesday, January 4, 2011
I have a new poem on the site "I Am A Natural Wonder", where everyone writes a poem with that title.
Monday, January 3, 2011
Sunday, January 2, 2011
Saturday, January 1, 2011
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